Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Arab or Arabic people and life. Orientalism oil paintings 397

ID: 47654

unknow artist Arab or Arabic people and life. Orientalism oil paintings  397
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unknow artist Arab or Arabic people and life. Orientalism oil paintings  397


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unknow artist

  Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 378 | Christ leads his faithful bride into the new garden of the church, | Retrato del nino Carlos Pomar Margrand | Ingeborg Psalter | Arab or Arabic people and life. Orientalism oil paintings 205 |
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Henry de Groux
Belgian 1867-1930 Henry de Groux (1866 in Brussels - 1930 in Marseilles) was a Belgian Symbolist painter, sculptor and lithographer. His 1889 painting Christ aux Outrages, widely described as his masterwork, depicted Jesus being attacked by a mob. Later in life, he produced many works depicting the horrors of the First World War. Ride of the Valkyries (ca. 1890) Royal Museums of Fine Arts, Brussels, BelgiumDe Groux was a member of les XX, but was expelled when he refused to have his works displayed in the same gallery as Vincent van Gogh. He subsequently moved to Paris, where he befriended Emile Zola; during the social unrest resulting from the Dreyfus affair, de Groux acted as one of Zola's bodyguards. As well, de Groux was a fervent diarist; beginning in 1892, he produced 18 volumes detailing the life of a European artist in the late 19th and early 20th centuries. In 2002, his descendants donated these volumes to the Institut national d'histoire de l'art; selected excerpts were published in 2007 Henry de Groux 1866-1930 - journal - Henry De Groux, Rodolphe Rapetti, Pierre Wat - Editions Kime.
Donato Creti
(1671-1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni
HONDECOETER, Gillis Claesz. d
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